Stereo

Piano Bars

LEFT drums 1st and 2nd “I’m Crying” Extra Bar before “Yellow Matter

MAGICAL MYSTERY TOUR US LP

EDIT RS6/7

MAGICAL MYSTERY TOUR UK EP

EDIT RS25/7

GERMAN MAGICAL MYSTERY TOUR LP

RS6/7 ?

US RARITIES LP

EDIT R 80

MAGICAL MYSTERY TOUR CD

EDIT RS25/7

'MAGICAL MYSTERY TOUR' VHS 1988

EDIT RS25/RM23?

BLUE ALBUM CD

EDIT RS25/7

'MAGICAL MYSTERY TOUR' DVD 1997

Re-EDIT RS25/7

ANTHOLOGY DVD

RS 03 takes 16, 17, 20 e 25 RS 06 takes 16, 17, 20 e 25

MAGICAL MYSTERY TOUR CD

[Remastered 2009] EDIT RS25/7

'MAGICAL MYSTERY TOUR' DVD 2012

RS 12 takes 16, 17, 20 e 25 > The part recorded live by John from the radio (King Lear) was a major obstacle to the creation of a 'True Stereo' remix because it was irremediably 'merged' with the backtrack. For Anthology DVD, in 2003, they resorted to a vinyl with the original BBC broadcast. Shortly thereafter, however, they discovered that the BBC still held the original tapes which they hastened to acquire for use in Love and MMT DVD / Blu-Ray 2012 "True Stereo" remixes

1967 MAGICAL MYSTERY TOUR / BLUE ALBUM releases and remixes

‘Stereo’ indicates Standard UK Stereo > First pressing of German Magical Mystery Tour (1971) still had the duophonic remixes, the new ’true stereo remixes’ were inserted in the 1972 repressing

MAGICAL MYSTERY TOUR

BLUE ALBUM

UK EP

1967

US LP

1967

GERMAN LP

UK LP

1973

US LP

Magical Mystery Tour [RS 88] [RS 12] (slightly ‘rebalanced’) The Fool On The Hill [RS 12] (slightly narrower) [RS 12] Blue Jay Way [RS 88] (Takes 1+3) [RS 12] Your Mother Should Know [RS 88] [RS 12] I Am The Walrus EDIT RS25/7 (6 bar intro) EDIT RS6/7 (4 bar intro) (6 bar intro) EDIT RS25/7 (6 bar intro) [RS 88] [EDIT RS25+RM23?] [RS 12] (Takes 16, 17, 20 e 25) EDIT RS25/] (6 bar intro) EDIT RS6/7 (4 bar intro) EDIT RS25/7 (6 bar intro) EDIT RS25/7 (6 bar intro) EDIT RS25/7 (6 bar intro) Hello Goodbye [RS 12] Strawberry Fields Forever [RS 71] [RS 71] [RS 71] (slightly ‘rebalanced’) [RS 71] [RS 71] [RS 71] Penny Lane [RS 71] [RS 71] [RS 71] [RS 71] [RS 71] [RS 71] Baby You're A Rich Man [RS 71] [RS 71] All You Need Is Love (slightly ‘rebalanced’)

1967 MAGICAL MYSTERY TOUR FILM Video remixes variations

The original Mono soundtrack contains a unique early remix of Magical Mystery Tour song. The first home-video Stereo release (VHS 1988) have all tracks ‘remastered’ and four tracks also newly remixed by Ron Furmanek (RS 88) The DVD 1997 returns back and oddly presents a badly mastered stereo 1987 soundtrack (possibly even a vinyl needledrop). The 2012 DVD/Blu-Ray release, opportunely, contains all new Stereo remixes (created by Giles Martin) Some Original Mono soundtrack’s songs (but not all) can be found in “Magical Mystery Year Deluxe” (PURPLE CHICK 2007) several sourced from “Another Tracks Of Magical Mystery Tour” (SWEET ZAPPLE 2002). All songs from VHS/Laserdisc 1988 appearead for the first time in “It's All In The Mind Y'know” (BEAT 1996), many of these, -upgraded-, are in “Magical Mystery Year Deluxe”, “Another Tracks Of Magical Mystery Tour” and “Magical Mystery Tour Back To Basics” (HELTER SKELTER 2014), but the complete soundtrack is available only in “Magical Mystery Tour - VHS HiFi Soundtrack” (RMW 2011) Audio from DVD 1997 is not circulating on bootleg. The new DVD/Blu-Ray Stereo remix 2012 can be found in “Magical Mystery Tour Back To Basics” and “Magical Mystery Tour Songtrack” (MAXWELL EDISON 2015). The complete soundtrack 2012 is available in “Magical Mystery Sessions Vol 3” (FAB! 2012)

MAGICAL MYSTERY TOUR

Mono soundtrack VHS, Laserdisc DVD, Blu-Ray

Magical Mystery Tour

(early Remix) RS 88 Stereo 87 [R 97] RS 12

The Fool On The Hill

R 88 Stereo 87 [R 97] RS 12 R 88 Reversed channels Stereo 87 [R 97] RS 12

I Am The Walrus

RS 88 Stereo 87 [R 97] RS 12

Blue Jay Way

RS 88 Stereo 87 [R 97] RS 12

Your Mother Should Know

RS 88 Stereo 87 [R 97] RS 12

Hello Goodbye

R 88 Stereo 87 [R 97] RS 12

1968 ACROSS THE UNIVERSE recording process

The details of the Across The Universe recordings have always been a difficult element to analyze; the nebulosity of the official data and the abundant number of official and unofficial circulating versions -distributed in more than 2 years- made it almost impossible to extricate oneself from the countless hypotheses: actually all scholars contradict each other, or they get confused, wrong or imprecise on some details. In 2018, finally, with the booklet of the White Album 50th other details were made public; some are crucial infos that contribute greatly to the recomposition of this enigmatic puzzle represented by the recordings sequence and elements of Across The Universe (in its various versions). Some smaller details still escape and some fringe doubts remain, but in general, the sessions of Across The Universe can today, and comprehensively, be summarized as follows: 4 Tracks (3?) 4 Feb 68 Tk 1 Tk 1 Ac Guitar Tk 2 Tk 2 Ac. Guitar ANTHOLOGY 2 SI on Tk 2 Ac. Guitar 2 Ac. Guitar Ac. Guitar 2 Ac. Guitar 4 Feb 68 ‘Hums Wild’ Tk 4 Tk 4 Ac. Guitar Tk 5 Tk 5 Ac. Guitar Tk 6 WA 50th Tk 6 Ac. Guitar Ac. Guitar Tk 7 Tk 7 Ac. Guitar SI on Tk 7 Voc 2? Ac. Guitar SI on Tk 7 Voc 2? Ac. Guitar Tk 8 RdctnTk 7Tk 8 Ac. Guitar Ac. Guitar 2 SI on Tk 8 Vocal 1 Ac. Guitar Ac. Guitar 2 Backw Bass Tk 8 ‘Hums Wild’ Rough RM + FX (Hums) Vocal 1 Ac. Guitar

Ac. Guitar 2

FX (Hums)  Backw Bass Ac. Guitar Ac. Guitar 2 FX (Hums) 8 Feb 68 Tk 8 SI on Tk 8 Ac. Guitar Ac. Guitar 2 Backw Bass SI on Tk 8 Ac. Guitar Ac. Guitar 2 Backw Bass SI on Tk 8 Ac. Guitar Ac. Guitar 2 Vocal 1 Ac. Guitar

Ac. Guitar 2

A/B Road (YS EP)

MONO MASTERS

Sped Up + SFX (Birds) Vocal 1 Ac. Guitar

Ac. Guitar 2

Ac. Guitar Ac. Guitar 2 * SFX (Birds) 2 Oct 69 Tk 8 Vocal 1 Ac. Guitar

Ac. Guitar 2

Tk 8 WWF

PAST MASTERS

Sped Up +SFX (Birds) Vocal 1 Ac. Guitar

Ac. Guitar 2

Ac. Guitar 2 Ac. Guitar * Choirs * SFX (Birds) 5 Jan 70 Get Back Tk 7 Glyn Johns Ac. Guitar Ac. Guitar 23 Mar 70 Let It be Tk 8 Vocal 1 Ac. Guitar

Ac. Guitar 2

2003 Tk 7

 Girls

Ac. Guitar * Vocal Ac. Guitar Legenda: Flanged Tambura Dubious Voc 2? Although attested on Take 7, there are no traces of a second vocal of John Recorded Live Ac. Guitar 2 During Reduction of Take 7 to Take 8 , on track 2 , John added (live)a few guitar strums (audible at 1:05 in Past Masters) Mixed Live SFX (Birds) Throughout the mixing of RM2 and RS2 birds effects were added (live) to the existing (and full) four tracks, using an external tape Volume Down  Girls In Naked remix ‘Girls’ track volume were turned down ADT Tambura In Naked remix Tamboura have abundant ADT and echo effects added 8 Tracks 1 Apr 70 Tk 9 RdctnTk8Tk 9 SI onTk 9 Ac. Guitar 2 2 Apr 70 Tk 9

LET IT BE

RS 10-13 Slowed down Vocal 1 Ac. Guitar  Girls Ac. Guitar 2 +Ac. Guitar 3 Ac. Guitar Ac. Guitar 2 Legenda: Flanged Tambura Volume Down  Girls In Let It Be Spector’s remix, track 2 (Girls, Tamboura and Acoustic Guitar 2) volume were turned down in ‘’Girls’’ segments

1968 ACROSS THE UNIVERSE versions & sources

Across The Universe chronology of official releases and unofficial appearances > Tk 8 ‘Hums Wild’ and TK7 RS3 by Glyn Johns have both two sources: Acetate and Tape. > In A/B Road - January 7 1969 it can be heard that, during the sessions at Twickenham, the Beatles played back an acetate with RM2. RM2 was also scheduled for inclusion on the cancelled 1969 Yellow Submarine EP Across The Universe remixes and main official releases

MONO MASTERS CD

2009 NO ONE’S GONNA

CHANGE OUR WORLD

1969

UK RARITIES

1978

US RARITIES

1980 1980

PAST MASTERS CD

1987

PAST MASTERS CD

2009

LET IT BE

1970

BLUE ALBUM

1973 BEATLES BOX LP 8 1980

BLUE ALBUM CD

1993

BLUE ALBUM CD

2010 RS 03

NAKED CD

2003 > Naked Stereo remix 2003 [RS 03] is the only released official remix with correct and untouched pitch

1968 WHAT'S THE NEW MARY JANE versions and variations

Distinguishing the various versions of this chaotic but not unplanned song is an almost impossible undertaking, and even Lewisohn and Winn being faced with nebulous and contradictory data, they have not been able to solve all the uncertainties: the main problem is to fit the list of attested recordings (and the acetates obtained) by Lewisohn, Barrett and Winn with the various bootleg versions published, often characterized by unknown sources, arbitrary and highly variable names/assignments such as 'RS2', 'Edit', 'Single', 'Sparse mix', 'Dense mix', 'Intermediate mix' etc. ... reference source May 1968

(Kinfauns DEMO)

Super Deluxe Edition 2018

Take 1

14 Aug 1968

Take 1 (‘’2’’)

Super Deluxe Edition 2018

Take 4

14 Oct 1968

RS2? (1982 Barrett Tapes)

Another Session Plus 11 Sep 1969

RS1?/2?/3? (wider Stereo)

Strawberry Fields Forever

RS1?/2?/3? (reversed and narrow Stereo)

Unsurpassed Masters 4 (Yellow Dog) Miscellaneous Tracks (Yellow Dog) 26 Nov 1969

RS4 (Cutting Room ACETATE)

Acetate Collection (various Labels)

RS5 Overdubbing (Cutting Room ACETATE)

RS6? 'EDIT’ (Cutting Room ACETATE)

RMx from RS4+RS5 (Apple ACETATE) Side-A 4:05

Complete Acetate Collection (Misterclaudel)

RMx from RS4+RS5 (Apple ACETATE) Side-B 1:56

26 Nov 1969? EDIT RS4-RS5 ''Single EDIT'' (Apple ACETATE)

Emi Outtakes (various Labels)

RS 84? (Emerick EDIT)

Turn Me On Dead Man The John Barrett Tapes 1984

RS 84 (Emerick EDIT) (1,2,3,4! remix)

(A Collection Of Unreleased Albums) (Misterclaudel) 1985

RS 85 (Emerick EDIT) (Sessions Remix)

(various Labels) 1995

RS 95 (Emerick EDIT)

ANTHOLOGY 3 CD

> RS6 is not an EDIT of RS5 as reported by Lewisohn (if anything it’s an Edit of RS4), and it’s not even the mysterious ‘’Copy with Simultaneous Editing’’ cited by Lewisohn (as hypothesized by Winn), the latter have actually recently surfaced on a Mono Acetate (RMx from RS4+RS5) Best source The recording history of WTNMJ begins with the so-called "Kinfauns Demo", recorded with only vocals, acoustic guitars (and tambourine) in George's house, in which you can hear how the structure of the song was already perfectly delineated.

Super Deluxe Edition 2018

In the EMI studios, John, Yoko and George (also present Mal Evans), decided to record WTNMJ: this time with the addition of a long 'coda' of ‘experimental’ music. With George on acoustic guitar and John on piano, they recorded four takes: the first was 2:35, the second 3:45, the third was a false start, and the fourth (final) take reached 6:35.

Super Deluxe Edition 2018

Two Stereo remixes were created: (RS1 ) and (RS2). No copy were created or taken, however, in 1982 a copy of one of these remixes, characterized by the overdubs track almost inaudible and a ‘stopped’ finale (5:45), were realized by John Barrett and later released in the bootleg “Another Session Plus”. Bare It All Three new Stereo remixes were created: (RS1), (RS2) and (RS3). These remixes are characterized by song’s full length (6:40) and John's exclamation in the finale: "Let's hear it, before we get taken away!" and, again, the track with overdubs with volume almost turned down to zero A copy of all three remixes were made and delivered to John. These remixes were subsequently released, respectively in the bootlegs "Strawberry Fields Forever", "Miscellaneous Tracks" and "Unsurpassed Master 4", the differences between the remixes are minimal and they could even be copies of the same remix (in any case still from 11 Sept 1969) but the slight differences are confirmed by Lewisohn: “only John's lead vocal placed at different points in the stereo” Strawberry Fields Forever Great Scott! It's... The Beatles The Beatles Deluxe Edition (Purple Chick) It’s a full length remix (6:40), with audible overdub track, although in certain points this increases cacophony. In the finale you only hear "Let's hear it-” Last Laquers It’s the longer remix (7:05), it has audible overdub track and simultaneous 'live' overdubs from John, Yoko, Mal Evans and others present. This short 'rough' remix (2:30) sounds like a ‘slice’ of RS4: it begins abruptly at a casual point , skipping the first two minutes. After one minute there’s another minute of cut before connecting to the minute and half of the final 'ringtone' This Mono remix is essentially the 'overlap' of the two remixes RS4 and RS5 (combined with various editing and 'displacement' of clips of the two remixes) The remix obtained was in turn 'edited' and divided into the two sides of the Acetate: Side A 4:05, Side B 1:56 Complete Acetate Collection (Misterclaudel) Published in various bootlegs as early as 1972, this "short" Remix is an EDIT of RS4 and RS5 and could be the final product of these 26 Nov sessions: the B side of the programmed single. But finally, this official release of WTNMJ was also canceled. Complete Acetate Collection (Misterclaudel) The last remix of WTNMJ was made in 1984 by Geoff Emerick, who started working on WTNMJ in order to insert it in the scheduled album "Sessions", creating a 6:05 remixed and edited version Turn Me On Dead Man The John Barrett Tapes Early version (A Collection Of Unreleased Albums) (Misterclaudel) Final “Sessions” version (A Collection Of Unreleased Albums) (Misterclaudel) Anthology version ANTHOLOGY 3 Itunes

1968 I’ M SO TIRED ‘Monitor Mixes’ Sources comparison

Recordings of what appear to be a ‘test’ mixing session of I’m So Tired began to circulate in 1991. The tape contains several similar (and alternate) rough mixes and playbacks, some repeated. Over the years these recordings have appeared in several bootleg, bettering in quality and completeness. Purple Chick’s ‘White Album Deluxe’ (2007) contains the enhanced and pitch corrected version of Control Room Monitor Mixes (YELLOW DOG 1993). Arrive Without Aging (VIGOTONE 1993) comprises only segments ‘b’, ‘c’ and ‘a’ (the “Isolation 7-8 Remix”), hence the comparison below is between original Control Room Monitor Mixes and the later The Ballad Of John And Yoko (IDOL MIND 2012) The illustration uses Purple Chick’s remixes’ ‘naming’.

a: ‘’Isolation 7-8’’, TBOJAY includes only the final 15 seconds of this remix

b: George comment stops on “second time of so…”.

c: In succeeding short interrupted piece, tape stops on John’s “I haven’t…”

> The segment b-c are repeated twice in TBOJAY

d1: In CRMM is followed by d2 and e in sequence

> This segment is repeated twice in TBOJAY; one is followed by e, one by d2

d2: tape rolled back

e: short interrupted piece, tape stops on John’s “I ha…”

f: George comment stops on “second time of…”.

g: longest interrupted piece, unique of CRMM

x: fragment of Organ, unique of TBOJAY

1968

SEXY SADIE circulating takes

May 29

THE BEATLES SD Edition

July 19

First version

Take 1 Take 2 Take 3 Take 4 Take 5 Take 6 ANTHOLOGY 3 CD Take 7 Take 8 Take 9 Take 10 Take 11 Erroneously called ‘’Take 3’’ THE BEATLES SD Edition Take 12 Take 13 Take 14 Take 15 Take 16 Take 17 Take 18 Take 19 Take 20 Take 21 TAKES 22-24 DO NOT EXIST

July 24

Take 25 Take 26 Take 27 Take 28

ANTHOLOGY VIDEO

Take 29 Studio Chat

ANTHOLOGY VIDEO

Take 30 Take 31 Take 32 Take 33 Take 34 Take 35 Take 36 Take 37 Take 38 Take 39 Take 40 Take 41 Take 42 Take 43 Take 44 Take 45 Take 46 Take 47 Studio chat

ANTHOLOGY VIDEO

TAKES 48-99 DO NOT EXIST

August 13

Take 100 Take 101 Take 102 Take 103 Take 104 Take 105 Take 106 Take 107 ‘’Take 108’’ Tape Reduction of Take 107 ‘’Take 109’’ Tape Reduction of Take 107 ‘’Take 110’’ Tape Reduction of Take 107 ‘’Take 111’’ Tape Reduction of Take 107

August 21

Final overdubs

‘’Take 112’’ Tape Reduction of Take 107 ‘’Take 112’’ ‘’Take 113’’ Tape Reduction of Take 112 ‘’Take 114’’ Tape Reduction of Take 112 ‘’Take 115’’ Tape Reduction of Take 112 ‘’Take 115’’ ‘’Take 116’’ Tape Reduction of Take 115 ‘’Take 117’’ Tape Reduction of Take 115 ‘’Take 117’’

WHITE ALBUM

Fragments and dialogs belonging to 5 unidentified takes and 4 jams between takes are also circulating They are sourced from Monitor Mix tapes from The Beatles at Abbey Road show (1983), ROCKBAND game (2009), or downloaded from The

1968 I WILL circulating takes

1968 “THE ROLLING STONES' ROCK AND ROLL CIRCUS” sources and references

11/12 December 1968, “The Dirty Mac’: John guitar and voice, Eric Clapton guitar, Keith Richards bass and Mitch Mitchell drums 1968 1968 1996 2004 2019 (NAGRA Reel) ‘’The Lost Lennon

ROCK AND ROLL

‘ROCK AND ROLL composites and remastered Library / Purple Chick / Misterclaudel

ROCK AND ROLL

DIALOGUE / YER BLUES

(0:44) MONO (0:42) MONO

THE DIRTY MAC INTRODUCTION

(1:04) MONO (1:04) MONO (1:03) MONO

YER BLUES

(no vocals) (4:02) MONO (no vocals) (4:02) MONO

WARM UP / BLUES JAM

(4:12) MONO (4:17) STEREO YER BLUES #1 (no vocals) (4:02) MONO (no vocals) (4:45) MONO (4:46) STEREO (Misterclaudel) (wide stereo) (4:26) STEREO (4:26) MONO (4:27) STEREO YER BLUES #2 (4:02) MONO (4:16) MONO (narrow stereo) (4:36) STEREO Purple Chick (4:35) STEREO Purple Chick (wide stereo) (4:01) STEREO (4:35) MONO (4:30) STEREO

WHOLE LOTTA YOKO

(HER BLUES) (4:48) MONO (4:48) MONO (4:50) STEREO (wide stereo) (4:51) STEREO (4:50) STEREO (2:47) STEREO

ANTHOLOGY VIDEO

ANTHOLOGY 3 CD BOOTLEGS (with count-in) THE BEATLES SD Edition [RS 18] 'THE BEATLES ON RECORD' BBC 2009 Jam (Can You Take Me Back) (Barrett EDIT-Mix) [RS 82]

Jam (Can You Take Me Back) S ''EDIT''

Jam (Can You Take Me Back) ''Take 1''

THE BEATLES SD Edition [RS 18]

Jam (Blue Moon)

THE BEATLES SD Edition [RS 18] THE BEATLES SD Edition [RS 18] Jam (Down In Havana) (Barrett Tapes) [RS 82] Jam (Step Inside Love) (Barrett Tapes) [RS 82]

Jam (Step Inside Love)

THE BEATLES SD Edition [RS 18] Jam (Los Paranoias) (Barrett Tapes) [RS 82]

Jam (Los Paranoias)

THE BEATLES SD Edition [RS 18] [RS 95 EDIT] (Step Inside Love-Los Paranoias) ANTHOLOGY 3 CD Jam (The Way You Look Tonight) (Barrett Tapes) [RS 82]

WHITE ALBUM

1969 YELLOW SUBMARINE FILM Video remixes variations

VHS 1987 contains mostly Stereo remixes, all [R86/87] ‘based’ (CDs 1987) but also some Fake Stereo (Only A Northern Song and It's All Too Much) and Nowhere Man with the 1965 Remix The DVD 1999 offers brand new Mono and Stereo remixes, but unfortunately, all songs, except Only A Northern Song, are slightly speeded up, and three songs: Only A Northern Song, When I'm 64 and Baby, You're A Rich Man are omitted from Mono Audio track The DVD 2012 contains the newly remastered 1999 remixes, finally with all songs at correct speed (apart from Only A Northern Song, slightly slower). There are also new Mono remixes of Only A Northern Song and When I'm 64 . Baby You're A Rich Man Mono remix is still absent from Mono Audio track All VHS 1987remixes can be found on “Sea Of Green” (RED ROBIN 1996), at correct speed. DVD 1999 Mono Remixes are not circulating on bootlegs. DVD 1999 Stereo Remixes of songs related to Sgt Pepper’s can be found in “Sgt. Pepper Massed Alberts Edition” (MASSED ALBERTS 2018). The other songs were never released on bootleg but DVD transfers are circulating amongst collectors. The DVD 2012 Mono and Stereo Remixes are not circulating on bootleg 1987 1999 2012

YELLOW SUBMARINE

VHS, Laserdisc DVD, Blu-Ray Audio Track Audio Track Audio Track Audio Track

Yellow Submarine

[VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

Hey Bulldog

RM 99

pitch risen

VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

Eleanor Rigby

[VIDEO R 87] Reversed stereo RM 99

pitch risen

VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12] Love You To (excerpt) [VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

All Together Now

[VIDEO R 87] RM 99

pitch risen

VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12] All Together Now (reprise) (short version) (fake stereo) (VIDEO R 87) RM 99

pitch risen

VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

Lucy In The Sky With Diamonds

[VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12] Think For Yourself (excerpt) [VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

Sgt. Pepper's Lonely Hearts Club Band

[VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

With A Little Help From My Friends

[VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12] Baby, You're A Rich Man (excerpt) [VIDEO R 87] (actually Mono) VIDEO RS 99 pitch risen VIDEO RS 99 [R 12] VIDEO RS 99 [R 12] Only A Northern Song (short version) (fake stereo) (VIDEO R 87) VIDEO RS 99 VIDEO RS 99 RM 12 pitch slightly lower VIDEO RS 99 [R 12] pitch slightly lower All You Need Is Love (short version) [VIDEO R 87] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

When I'm 64

[VIDEO R 87] VIDEO RS 99 pitch slightly risen VIDEO RS 99 pitch slightly risen

RM 12

VIDEO RS 99 [R 12]

Nowhere Man

[VIDEO R 87 (RS 65)] RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12] It's All Too Much (short version) (fake stereo) (VIDEO R 87) RM 99 pitch risen VIDEO RS 99 pitch risen RM 99 [R 12] VIDEO RS 99 [R 12]

1969 YELLOW SUBMARINE Album and Video: Mono remixes variations

YELLOW SUBMARINE

Yellow Submarine Fake Mono from RS2 RM 99 pitch risen RM5 [R 09] RM 99 [R 12] Hey Bulldog Fake Mono from RS3 RM 99

pitch risen

RM 99 [R 12] Eleanor Rigby RM 99

pitch risen

RM 99 [R 12] Love You To (excerpt) RM 99 pitch risen RM 99 [R 12] All Together Now Fake Mono from RS6 RM 99

pitch risen

RM 99 [R 12] All Together Now (reprise) (short version) RM 99

pitch risen

(short version) RM 99 [R 12] Lucy In The Sky With Diamonds RM 99 pitch risen RM 99 [R 12] Think For Yourself RM 99 pitch risen RM 99 [R 12] Sgt. Pepper's Lonely Hearts Club Band RM 99 pitch risen RM 99 [R 12] With A Little Help From My Friends RM 99 pitch risen RM 99 [R 12] Baby, You're A Rich Man VIDEO RS 99 [R 12] Only A Northern Song Fake Mono (from fake stereo) (short version) VIDEO RS 99 (short version) RM 12 pitch slightly lower All You Need Is Love Fake Mono from RS6 (short version) RM 99 pitch risen (short version) RM 99 [R 12] When I'm 64 VIDEO RS 99 pitch slightly risen

RM 12

Nowhere Man RM 99 pitch risen RM 99 [R 12] It's All Too Much Fake Mono from RS1 (short version) RM 99 pitch risen (short version) RM 99 [R 12]

1969 YELLOW SUBMARINE MONO LP

> Yellow Submarine Mono album was issued only in UK, although it was not a ‘true mono’ version, but a simply fold-down of the Stereo LP 1999 YELLOW SUBMARINE DVD > New Mono remix for the DVD > Only A Northern Song, When I'm 64 and Baby, You're A Rich Man are omitted from the Mono Audio track: Only A Northern Song and When I'm 64 appear in Stereo instead. Almost all songs have ‘risen’ pitch . 2009 MONO MASTERS CD > The ‘true’ Mono remixes of Hey Bulldog, All Together Now, Only A Northern Song and It's All Too Much, created in 1968 for the cancelled Yellow Submarine EP (along with Across the Universe), were finally released on Mono Masters, more than 40 years after they were created 2012 YELLOW SUBMARINE DVD > New remastering of the DVD Mono remixes 1999 (this time, almost all songs are at correct speed) > There are also new Mono remixes of Only A Northern Song and When I'm 64 . > Baby You're A Rich Man Mono remix is still absent from Mono Audio track (and appears in Stereo)

1969 YELLOW SUBMARINE Albums, Songtrack and Video: Stereo remixes variations

1969

YELLOW SUBMARINE

Yellow Submarine RS2 [R 87] [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS2 [R 09] RS 99 [R 12] VIDEO RS 99 [R 12] Hey Bulldog RS3 [R 87]

RS 99

VIDEO RS 99 pitch risen RS3 [R 09] RS 99 [R 12] VIDEO RS 99 [R 12] Eleanor Rigby [VIDEO R 87] Reversed stereo

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] Love You To [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] All Together Now RS6 [R 87] [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS6 [R 09] RS 99 [R 12] VIDEO RS 99 [R 12] All Together Now (reprise) (short version) (fake stereo) (VIDEO R 87) (short version) VIDEO RS 99 pitch risen (short version) VIDEO RS 99 [R 12] Lucy In The Sky With Diamonds [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] Think For Yourself [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] Sgt. Pepper's Lonely Hearts Club Band [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] With A Little Help From My Friends [VIDEO R 87]

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] Baby, You're A Rich Man [VIDEO R 87] (actually Mono)

RS 99

VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] Only A Northern Song (fake stereo) (fake stereo) [R 87] (short version) (fake stereo) (VIDEO R 87)

RS 99

(short version) VIDEO RS 99 RS 99 [R 12] (short version) VIDEO RS 99 [R 12] pitch slightly lower All You Need Is Love RS6 [R 87] (short version) [VIDEO R 87]

RS 99

(short version) VIDEO RS 99 pitch risen RS6 [R 09] RS 99 [R 12] (short version) VIDEO RS 99 [R 12] When I'm 64 [VIDEO R 87]

RS 99

VIDEO RS 99 pitch slightly risen RS 99 [R 12] VIDEO RS 99 [R 12] Nowhere Man [VIDEO R 87 (RS 65)] RS 99 VIDEO RS 99 pitch risen RS 99 [R 12] VIDEO RS 99 [R 12] It's All Too Much RS1 [R 87] (short version) (fake stereo) (VIDEO R 87) RS 99 (short version) VIDEO RS 99 pitch risen RS1 [R 09] RS 99 [R 12] (short version) VIDEO RS 99 [R 12] 1969 YELLOW SUBMARINE STEREO LP > Only A Northern Song is in Fake stereo 1987 YELLOW SUBMARINE CD > Only A Northern Song is still in Fake stereo 1987 YELLOW SUBMARINE VHS > Most of Stereo remixes correspond to CD 1987, Eleanor Rigby have reversed channels > Nowhere Man uses the 1965 Remix > All Together Now, Only A Northern Song and It's All Too Much are in Fake Stereo > Baby You're A Rich Man is in Mono 1999 YELLOW SUBMARINE SONGTRACK CD > New Stereo remix for the Songtrack CD. Only A Northern Song is in Stereo for the first time 1999 YELLOW SUBMARINE DVD > The DVD remixes are very similar (although not identical) to CD Songtrack. Almost all songs have ‘risen’ pitch . > Rough Stereo Mixes (from a working version) circulates on bootleg. They are similar but different from both CD and DVD remixes 2009 YELLOW SUBMARINE CD > On the remastered CD, all of the songs use the (Remastered 2009) Stereo remix except for Only A Northern Song which is in Mono and uses the (original 1968) Remastered 2009 Mono remix (the same remix used in Mono Masters) 2012 YELLOW SUBMARINE SONGTRACK CD > New remastering of the CD Songtrack 1999 2012 YELLOW SUBMARINE DVD > Also here the DVD remixes are very similar (although not identical) to the Remastered CD Songtrack and almost all songs are at correct speed

1969 TRACKLISTS IN GET BACK/LET IT BE COMPILATIONS

Reference Acetate First Compilation 2 3 GET BACK (DDSI 23.79) I've Got A Feeling DDSI 23.80 (fragment) Help 23.81 (fragment) TEDDY BOY (Long version) (DDSI 24.33) Two Of Us 24.48 (fragment) TWO OF US (DDSI 24.69) DIG A PONY (DDSI 22.68) I'VE GOT A FEELING (DDSI 22.69) THE LONG AND WINDING ROAD (DDSI 26.92) LET IT BE (DDSI 26.75) DON'T LET ME DOWN (DDSI 22.60) FOR YOU BLUE (DDSI 25.46) GET BACK (DDSI 27.63) THE WALK (DDSI 27.83) ONE AFTER 909 (DDSI 30.08/09) ROCKER (Link Track) (DDSI 22.58) SAVE THE LAST DANCE FOR ME (DDSI 22.59) DON'T LET ME DOWN (DDSI 22.60) DIG A PONY (DDSI 22.68) I'VE GOT A FEELING (DDSI 22.69) GET BACK (DDSI 27. 63) FOR YOU BLUE (DDSI 25.46) TEDDY BOY (Short version) (DDSI 24.33) TWO OF US (DDSI 24.69) MAGGIE MAE (DDSI 24.49) DIG IT (Longer version) (DDSI 26.56) LET IT BE (DDSI 31.64) +(April 69 Guitar Overdub) THE LONG AND WINDING ROAD (DDSI 26.92) GET BACK (Reprise) (DDSI 28.43) ONE AFTER 909 (DDSI 30.08/09) ROCKER (Link Track) (DDSI 22.58) SAVE THE LAST DANCE FOR ME (DDSI 22.59) DON'T LET ME DOWN (DDSI 22.60) DIG A PONY (DDSI 22.68) I'VE GOT A FEELING (DDSI 22.69) GET BACK (DDSI 27. 63 + 28.43 coda) FOR YOU BLUE (DDSI 25.46) TEDDY BOY (Short version) (DDSI 24.33) TWO OF US (DDSI 24.69) MAGGIE MAE (DDSI 24.49) DIG IT (Long version) (DDSI 26.56) LET IT BE (DDSI 31.64) +(April 69 Guitar Overdub) THE LONG AND WINDING ROAD (DDSI 26.92) GET BACK (REPRISE) (DDSI 28.43) This acetate contains a quick first selection of tracks, with no intention of releasing it in this form. Nevertheless, the majority of these takes were confirmed and used in every following compilations This version was actually intended for release. Glyn Johns remixed the songs and, encouraged by The Beatles themselves, modified and added some more dialogues between songs Second (Final) Compilation

LET IT BE LP

ONE AFTER 909 (DDSI 30.08/09) ROCKER (Link Track) (DDSI 22.58) SAVE THE LAST DANCE FOR ME/DON'T LET ME DOWN (DDSI 22.59) DON'T LET ME DOWN (DDSI 22.60) DIG A PONY (DDSI 22.68) I'VE GOT A FEELING (DDSI 22.69) GET BACK (DDSI 27. 63 + 28.43 coda) LET IT BE (DDSI 31.64 + April 1969 Guitar Overdub) FOR YOU BLUE (DDSI 25.46 - January 70 vocals) TWO OF US (DDSI 24.69) MAGGIE MAE (DDSI 24.49) DIG IT (Long version) (DDSI 26.55) THE LONG AND WINDING ROAD (DDSI 26.92) I ME MINE (Take 16) ACROSS THE UNIVERSE (Take 7) GET BACK (Reprise) (DDSI 28.43) TWO OF US (DDSI 31.13) DIG A PONY (DDSI 30.11) ACROSS THE UNIVERSE (Take 9) I ME MINE (Take 18) DIG IT (Short version) (DDSI 26.55) LET IT BE (DDSI 31.64 + Jan. 1970-Guitar Overdub) MAGGIE MAE (DDSI 24.49) I'VE GOT A FEELING (DDSI 30.06) ONE AFTER 909 (DDSI 30.08) THE LONG AND WINDING ROAD (DDSI 26.91) FOR YOU BLUE (DDSI 25.46 + Jan. '70-Vocal) GET BACK (DDSI 27.63+ 30.17 dialogues) It was decided that the ‘soundtrack’ album must match the Movie: Teddy Boy was dropped and I Me Mine and Across The Universe were inserted, but this version of the album didn't get as far as the previous compilation, since the Beatles, already rather uninterested, rejected it again. With Phil Spector everything changed: there was nothing that reminded of the original "Get Back" album concept anymore. Spector put a lot of work into Let It Be, for many songs he took different takes as well as remixing, shortening and editing like he felt he had to.

1969 SONGS’ VARIATIONS LIST IN GET BACK/LET IT BE/NAKED COMPILATIONS

For simplicity, this list shows only the major variations since (even in case of same recording and DDSI take) every compilation (and every respective source) differs in subordinate details like mixing and/or editing/cutting dialogs, intros, outros, fade-in etc. etc. Glyn Johns’ rough remixes are listed in parentheses. Reference Acetate First Compilation Second Compilation Official Album/Singles Let It Be… Naked Planned for release

LET IT BE

and SINGLES

GET BACK (FALSE START)

23.78 RS(1)

GET BACK

23.79 RS(1) I’VE GOT A FEELING (FRAGMENT) 23.80 RS(1)

HELP! (FRAGMENT)

23.81 RS(1)

THE WALK

27.83 RS(1) ONE AFTER 909 EDIT 30.08 +.09 (‘Danny Boy’) +.17 (‘Audition’) EDIT 30.08 +.09 (‘Danny Boy’) +.17 (‘Audition’) EDIT 30.08 +.09 (‘Danny Boy’) +.17 (‘Audition’) +.09 (‘Danny Boy’) RS 03

SAVE THE LAST DANCE FOR ME/

DON'T LET ME DOWN

DON'T LET ME DOWN

EDIT 22.78 (false start) + 22.60 EDIT 22.78 (false start) + 22.60 EDIT 22.78 (false start) + 22.60 UK RM1 / US RS1 3:35 EDIT 30.05+30.16 RS 03

DIG A PONY

30:11 (corrected) RS 03

I'VE GOT A FEELING

+27.84 ‘Glyn, What does that sound like?’ +27.84 ‘Glyn, What does that sound like?’ 3:37 EDIT 30.06+30.13 RS 03

GET BACK

EDIT 27.63 + 28.43 (coda) EDIT 27.63 + 28.43 (coda) EDIT 27.63 + 28.43 (coda) UK RM5 / US RS1 EDIT 27.63 + 30.17 (‘Audition’) EDIT RS1+5 RS 03

FOR YOU BLUE

JAN. '70-VOCALS 8.21 + 25.46 JAN. '70-VOCALS (EDIT RS1-RS5) RS “1” JAN. '70-VOCALS RS 03

TEDDY BOY

(LONG EDIT) (SHORT EDIT) (SHORT EDIT)

TWO OF US

28.48 (fragment) + 24.69 21.69 + 31.13 31.13 (corrected) RS 03

MAGGIE MAE

DIG IT

+24.85 ‘Georgie Wood’ +24.85 ‘Georgie Wood’ RS(1) EDIT +24.85 ‘Georgie Wood’ RS(1) EDIT + 24.85 ‘Georgie Wood’

LET IT BE

+ APRIL 1969

GUITAR OVERDUB

+ APRIL 1969

GUITAR OVERDUB

+ APRIL 1969

GUITAR OVERDUB

+ APRIL 1969

GUITAR OVERDUB

+ JAN. 1970

GUITAR OVERDUB

EDIT RS1-4 + 31.65 (JAN. 1969 GUITAR SOLO) RS 03

THE LONG AND WINDING ROAD

EDIT RS10/RS13 3:36 RS 03

GET BACK (REPRISE)

I ME MINE

(Take 16) (Take 18) EDIT RS11-RS12 2:24 (Take 16) RS 03

ACROSS THE UNIVERSE

(Take 07) (Take 09) (lowered pitch) (Take 07) RS 03 The Get Back/Let It Be sessions, "DDSI" Numbers Explained In 1994 Doug Sulpy and Ray Schweighardt published a book that summarized The Beatles recording sessions of January 1969 for what was to become the Let It Be album. This book was called, Drugs, Divorce, and a Slipping Image. Within this book each chapter was devoted to a day of recording, giving details of each day, every song or snippet of song is given a unique sequential number, therefore the first song recorded on the 4th of January is number 4.1 ... and the 12th song on the 31st of January is 31.12 within the book. That reference number was the DDSI Number. This means that each recording within these sessions could be referenced easily, and for detail one can look at the book. (Graham Calkin, JPGR, 2010) In this collection, where "DDSI Number" appears, this is referring to "Complete Beatles' Audio Guide", by Doug Sulpy, 2006.

1969 DIFFERENCES BETWEEN COMPILATION 1 AND COMPILATIONS 2-3-4

Compilation 1’s Get Back 23.79 and The Walk were discarded in following compilations (2, 3 and 4). Glyn Johns’ rough remixes are listed in parentheses

‘Get Back’ First Compilation Second Compilation takes used takes used Planned for release ONE AFTER 909 EDIT 30.08 +.09 (‘Danny Boy’) +.17 (‘Audition’) Not present in Compilation 1. Remixed for Let It Be and Naked Not present in Compilation 1. Excluded from Let It Be and Naked

SAVE THE LAST DANCE FOR ME/

DON'T LET ME DOWN

Not present in Compilation 1. On Compilation 4 appears shortened: a portion was edited out, probably by bootleggers Excluded from Let It Be and Naked

DON'T LET ME DOWN

EDIT 22.78 (false start) + 22.60

New remix, with a false start (Don’t Let Me Down DDSI 22.78) edited in.

Slightly modified dialogues at start and at end The Single features take DDSI 28.45 and Naked takes 30.05+30.16

DIG A PONY

Let It Be and Naked feature take DDSI 30.11

I'VE GOT A FEELING

New remix

Slightly shortened dialogue at end Same remix as Compilation 2 plus an added comment from DDSI 27.84: ‘‘Glyn, What does that sound like?’’ Let It Be features take DDSI 30.06 and Naked takes DDSI 30.06 + 30.13

GET BACK

New remix Slightly modified dialogues at start and at end RS 1

New remix and EDIT with DDSI 28.43 (coda)

(the same remix used in “Get Back” Single) Let It Be LP and and Naked have remixes of the ‘unedited’ DDSI 27.63.

The LP remix has the ‘’audition’’ comment added at the end

FOR YOU BLUE

New remix Slightly cut start on Compilation 2 Same remix as Compilation 2 New remix, ‘shortened’ false start with (partially) January '70 George’s new vocals Remixed for Let It Be and Naked

TEDDY BOY

(LONG EDIT) (SHORT EDIT) New remix, shortened version Excluded from Compilation 4, Let It Be and Naked

TWO OF US

28.48 (fragment) + 24.69 New remix Two of Us DDSI 28.48 fragment and 24.69 false start removed New remix, Two of Us DDSI 28.48 fragment and 24.69 false start removed Let It Be and Naked feature take DDSI 31.13

MAGGIE MAE

Not present in Compilation 1. Same take remixed for Let It Be. Not present in Naked.

DIG IT

Not present in Compilation 1 RS(1) EDIT Same remix as Compilation 2, shortened version Let It Be features a severely shortened version Excluded from Naked

LET IT BE

+ APRIL 1969

GUITAR OVERDUB

Different take (from Compilation 1)

The Single features the same take and a similar remix, Let It Be LP presents the same take but with ‘January 70 solo version’.

Naked features the same take with George’s solo segment from DDSI 31.65

THE LONG AND WINDING ROAD

New remix, slightly modified dialogues at start and at end Remixed for Let It Be Naked features take DDSI 31.40

GET BACK (REPRISE)

Not present in Compilation 1. Excluded from Let It Be and Naked

I ME MINE

Take 16 (Take 16) RS1 Not present in Compilation 1, 2 and 3 Let It Be features Take 18 Naked a new remix of Take 16

ACROSS THE UNIVERSE

Take 7 (Take 07) RS3 Not present in Compilation 1, 2 and 3 Let It Be features Take 9 Naked a new remix of Take 7

1969 GET BACK COMPILATIONS’ SOURCES

‘Core’ historic sources and main releases release sequence 1969 Kum Back Get Back To Toronto (I.P.F. Records) Get Back (Lemon Records) 1993 Posters, Inscence and Strobe Candles (+ Dialogues) 1993 WBCN Get Back Reference Acetate (Yellow Dog) (Noise Reduction)

1 WBCN

2012 Untouched - Off Elektra Acetate [Idol Mind Productions]

1 ACETATE

MONO tape dub?? 1991 Celluloid Rock (Yellow Dog) (fade & heavy reverb) 2000 Get Back: John Barrett's Reel

1 TAPE

1,5 OLDIES

2 Acetate

2003 WKBW Exclusive: The August 1969 Broadcast Of Get Back (get slower)

2 WKBW

1970 1970 The Silver Album Of The World's Greatest (Jarris Records)

2 OPD

1974 Get Back Sessions: Studio Outtakes 1977 The Very Best Rarest Number Six 1991 Get Back and 22 Other Songs (Yellow Dog)

3 ACETATE

1986 (Get Back bogus ‘package’) 1987 The Get Back 1989 Get Back with Don't Let Me Down and 9 Other Songs (Blackbird Records) 1994 As Nature Intended 2000 Thirty Days

3 TAPE

Barrett tape 1999 The Glyn Johns Final Compilation 1999 Get Back 2nd Mix 1999 True Masters (Roaring Mouse) ‘Core’ historic sources and best ‘restored’ sources : Historic Best Source MasterJedi ‘restored’

1 WBCN

Posters, Incence and Strobe Candles (Vigotone)

The WBCN Acetate

1 ACETATE

Untouched - Off Elektra Acetate (Idol Minds)

1 TAPE

Get Back: John Barrett's Reel (?)

Rockin’ Reel*

2 WKBW

WKBW Exclusive: The August 1969 Broadcast Of Get Back (get slower)

2 OPD

3 ACETATE

Get Back and 22 Other Songs (Yellow Dog) (Decklicked)

All I Want Is...

3 TAPE

2000 Thirty Days (Vigotone)

True Masters (Roaring Mouse)

Bare It All

* Get Back:John Barrett's Reel (?) + Celluloid Rock (Yellow Dog)

1969 GET BACK COMPILATION ‘1 WBCN’

In summer 1969, copies of the acetate with ‘compilation 1’ made their way to America and soon tape copies were aired by a number of local radio stations. The WBCN radio broadcast was recorded by a listener and in the early seventies became the source for several vinyl bootlegs . Kum Back was the first (1969). Two other significant early releases were Get Back To Toronto (I.P.F. Records) and Get Back (Lemon Records). These early vinyl releases do not feature any of DJ dialogue from the broadcast. More recently (1993) the ‘’listener's reel tape’’ was the source for the Vigotone’s CD Posters, Incense and Strobe Candles (including DJ comments and commercials from the original airing) and WBCN Get Back Reference Acetate from Yellow Dog (de-clicked and de-noised and including only short pieces of the DJ

1969 GET BACK COMPILATION ‘1 ACETATE’

In 2012 Idol Mind Productions releases Untouched - Off Elektra Acetate, sourced from an acetate containing compilation 1 (the ‘Elektra acetate’: ‘An extremely rare audio source directly ripped from the Elektra Records acetate disc named “UNTOUCHED”, which the producer of Let It Be had as a referential material’). The biggest problem with this source is that the acetate is in fairly poor condition and very noisy so this release features two CDs, one with the “Raw Version” and one de-clicked and de-noised. While the Disc 2 does sound better, not surprisingly, within a week of the release of the Untouched discs, there were already two upgrades: Untouched (Revision A) (PetSounds Productions) Derived from the raw source on Disc 1 of Untouched -, Off Elektra Acetate. Disc 1 contains a newly de-clicked, phase-corrected, and speed-corrected version. Disc 2 has the same tracks de-noised and the three missing parts in them patched up from other sources Get Back: The Elektra Acetate (Helter Skelter): Also derived from the raw source on Disc 1 of Untouched -, Off Elektra Acetate. In this release no noise reduction has been used, ‘’but instead painstakingly de-clicked, de-popped, and de- crackled each track one-by-one, putting the integrity of the music above anything else’’. All of the stereo elements that were missing from this acetate from the Yellow Dog disc were also added. The tracks were pitch, phase and level corrected, as well as un-doing the peak limiting applied to the original disc. In 2019 MasterJedi released the CD-R The Beatles - The WBCN Acetate, derived from Untouched - Off Elektra Acetate (Idol Minds) with edit pieces from Posters Incense and Strobe Candles (Vigotone). Great care was taken to align both sources in speed, frequency response and phase response. This permitted patching the missing pieces back into place, It also allowed the severe damage which occurred to the acetate to be meticulously repaired. The Intro to Get Back, which was also missing from the Idol Minds source, was patched from the Vigotone source, The material is duplicated twice, once with no click removal, and again using a combination of 2 different click removal programs (Adobe Audition CS6 and ClickRepair). The median of both outputs and the original ensured that only those clicks that both programs were in agreement on were removed.

1969 GET BACK COMPILATIONS: ‘1 TAPE’ AND 1,5 ‘OLDIES’

In 1991, some of Compilation 1 tracks surfaced along with a new set of songs; the "Oldies" compilation (Compilation 1,5 Oldies), from what appeared to be a tape source, on the CD release Celluloid Rock (Yellow Dog). All tracks are in Mono (where as the WBCN acetate is in Stereo). In 2000, these recordings appeared again (and still in Mono) on the CD Get Back: John Barrett's Reel (label unknown), in slightly better quality and featuring longer intros and outros. It's highly dubious this is actually from a Barrett tape (all known Barrett mixes are stereo. These are mono) and both releases might even be sourced from an acetate, but probably they are mono tape dubs of reels E69738 and E69739: perhaps, somewhere down the line, someone made a fold-down mono copy and that's what circulates today.

Six ‘Compilation 1’ tracks (Compilation 1 TAPE A) are present either in Celluloid Rock and Get Back: John Barrett's Reel

Three ‘Compilation 1’ tracks; Teddy Boy, Two Of Us and Dig A Pony (Compilation 1 TAPE B) appear only in Celluloid Rock, with a ‘fake stereo reverb effect’ applied. In addition, on Celluloid Rock also appeared the longest circulating excerpt of Dig It. The five jams contained in “Oldies” compilation also appear, often from various other sources (Movie soundtrack, Boardroom tapes, Barrett tapes), in numerous other bootlegs, but I’ve Got A Feeling 27.84 (with false start) appears exclusively on “Oldies”

CELLULOID ROCK (Yellow Dog)

01 I've Got A Feeling [false start] / I’ve Got A Feeling 02 Rip It Up / Shake, Rattle & Roll 03 Kansas City/Miss Ann/ Lawdy Miss Clawdy 04 Blue Suede Shoes 05 You’ve Really Got A Hold On Me 06 Get Back [false start] / Get Back 07 The Long And Winding Road 08 Let It Be 09 Don’t Let Me Down 10 For You Blue 11 The Walk 12 Teddy Boy 13 Two Of Us 14 Dig A Pony 15 Dig It ------------------------------------------------------------------------------------------------------------------------------------------------

GET BACK - JOHN BARRETT'S REEL (?)

01 I've Got A Feeling [false start] / I’ve Got A Feeling 02 Rip It Up / Shake, Rattle & Roll 03 Kansas City / Miss Anne / Lawdy Miss Clawdy 04 Blue Suede Shoes 05 You Really Got A Hold On Me 06 Get Back [false start] / Get Back 07 The Long And Winding Road 08 Let It Be 09 Don't Let Me Down 10 For You Blue 11 The Walk 12 I Me Mine (stereo) Take 16 (RS1) #1 13 I Me Mine (stereo) Take 16 (RS1) #2 ------------------------------------------------------------------------------------------------- In 2016 MasterJedi released the CD-R Rockin’Reel, derived from Get Back - John

Barrett's Reel with a small patch from Celluloid Rock. Glitches and distortion repaired.

Only tracks from Get Back - John Barrett's Reel (Compilation 1 TAPE A and

Compilation 1,5 Oldies) were included The three ‘fake stereo’ Celluloid Rock’s ‘Compilation 1’ tracks ‘Teddy Boy, Two Of Us and Dig A Pony (Compilation 1 TAPE B) were all left out. ‘fake Stereo’ reverb

1969 GET BACK COMPILATIONS: ‘2 WKBW’ AND ‘2 OPD’

In September 1969, an US Radio (WKBW in Buffalo) broadcast a tape of this compilation. The tape was sourced from an early production acetate that leaked out of Apple, and, as it happened before, in short time it fell into the hands of the bootleggers. Unfortunately this tape features only one channel of the stereo image. Few months after the broadcast, two bootlegs surfaced that contained the same recordings that was used for the WKBW broadcast. The first release was O.P.D. (label unknown) and featured the entire acetate. The second release was titled The Silver Album Of The World's Greatest (Jarris Records) which contained several songs but not the entire acetate. Since both bootlegs feature none of the DJ dialog heard in the broadcast and feature only one channel of stereo, the bootlegs can surely be sourced directly back to the tape used by WKBW. In 2003, the original WKBW broadcast surfaced on a bootleg CD-R titled WKBW Exclusive! The August 1969 Broadcast Of Get Back . The CD-R features a listener's off-air home recording of the WKBW For a long time it was commonly believed that Glyn had made only three compilations of Get Back, so this represents an unique (fourth) compilation; the prototype of Compilation 3 . Not even Mark Lewisohn or John Barrett make note of it. Recordings of this acetate appear to have not surfaced anywhere else other than the three ‘Mono/ One channel’ releases noted above. This second compilation differs from compilation 3 in that there are a few tidbits of different dialog and, more importantly, different edits of "Get Back" and "Dig It".

1969 GET BACK COMPILATION ‘3 ACETATE’

This compilation, unlike the first two compilations, was never broadcast; it surfaced in the 1970s from both an acetate and a tape source The first bootleg appearance of ‘Compilation 3’ was in 1974, followed, over the years, by several quality improved releases. In 1991, Yellow Dog Records introduced a ‘de-clicked’ and ‘de-noised’ CD version of the acetate titled Get Back and 22 Other Songs.

1969 GET BACK COMPILATION ‘3 TAPE’

From 1986(?) several vinyl releases featured the tape- sourced version, often accompanied by a very high quality package. In 1994, some of the tape-sourced ‘Compilation 3’ tracks made its CD debut on As Nature Intended (Vigotone) In 2000, ‘Compilation 3’ surfaced in a complete form as a bonus disc in the massive 17 disc Get Back-Sessions Box Thirty Days (Vigotone) In 2019 MasterJedi released the CD-R All I Want Is… derived mostly from Thirty Days Disc 17 and supplemented by Get Back and 22 Other Songs which was more complete in a couple spots.

1969 GET BACK COMPILATION 4

Despite two surfaced acetates that appear to contain this compilation, recordings of ‘Compilation 4’ from acetates have never appeared on bootlegs. No copies of this compilation slipped out for thirty years, but in summer of 1999 the second (and final) Glyn Johns’ compilation contemporaneously appeared on three bootlegs, taken not from an acetate but from cassette dubs that John Barrett made of reel AR16991/2. Get Back With Don't Let Me Down And 9 Other Songs - The Glyn Johns Final Compilation (Vigotone) Vigotone’s release doesn’t fully respect the original ‘Compilation 4’ Barrett tape, since some little trimmed parts in Save The Last Dance For Me and For You Blue (originally present in the Barrett tape) appear ‘restored’ Get Back – 2nd mix (Strawberry) True Masters (Roaring Mouse/Geritol) In 2015 MasterJedi released the CD-R Bare It All, containing the complete collection of John Barrett’s recordings. Disc 2 contains the ‘restored’ Barrett’s tabe dub of Compilation 4, derived from True Masters (Roaring Mouse)

1969 FOR YOU BLUE George’ s vocal variants

The ‘Official’ version of For You Blue was recorded on 25 January 1969, nonetheless, in January 1970, George re-recorded his vocals. The album Let It Be features solely the‘new’ vocals but in the various preceding Get Back compilations we can find the old vocal or both vocals alternating. Naked have new vocals and (in some points)’ electronically’ modified vocals

1970 HEY JUDE remixes variations

Comparison between remixes contained in US Hey Jude/The Beatles Again LP (1970), first non-export UK Hey Jude LP (1979) and Hey Jude CD from “The US Albums Box” (2014) standard indicates Standard UK Stereo > Rain, Lady Madonna, Revolution and Hey Jude were issued in Stereo for the first time; until then they had only been mixed in Mono, so the Stereo remixes of these songs were created specifically for this album. Since then, these Rain and Hey Jude remixes became the standard stereo remixes. Lady Madonna and Revolution presents a slightly different mastering from 1973’s mastering of these remixes (Blue Album), which would become the Stereo standard remix > In the vinyl albums Paperback Writer has reversed channels. US Albums’s CD 2014 features the standard version (Remastered 2009) 1970 1979 2014

US LP

UK LP

“The US Albums”

CAN'T BUY ME LOVE

(Remaster 2009)

I SHOULD HAVE KNOWN BETTER

(Remaster 2009)

PAPERBACK WRITER

(Remaster 2009) (Remaster 2009)

LADY MADONNA

Slightly narrow Slightly narrow (UK BLUE ALBUM 1973, PAST MASTERS) (Remaster 2009) Slightly wider (UK BLUE ALBUM 1973, PAST MASTERS) (UK BLUE ALBUM 1973, PAST MASTERS) (Remaster 2009)

HEY JUDE

(Remaster 2009)

OLD BROWN SHOE

(Remaster 2009)

DON'T LET ME DOWN

(Remaster 2009)

THE BALLAD OF JOHN AND YOKO

(Remaster 2009)

1973 RED ALBUM remixes variations

THE REMIX VARIATIONS OF THE RED & BLUE ALBUMS

These 2 compilations, released in 1973, a bit because of contractual obligations but above all to respond to the quadruple bootleg LP "Alpha Omega" which (thanks also to radio and TV advertising) was achieving excellent sales results. These compilations contain some rare variations and there are also notable differences between the various releases: UK Vinyl 73, US Vinyl 73, CD 93, CD 2010 and Vinyl 2014 Vinyl 1973 UK UK edition of the Red Album featured some variations: a remastered version of the 1966 Fake Stereo remix of She Loves You, the version of I Feel Fine with the 'whispered intro’ (present only in first pressings. In subsequent ones this 'whispered intro’ was edited out) the US version of Day Tripper [RS1], different from the UK version [RS2] released on Oldies Nowhere Man and Girl were ‘adjusted’ in balance Vinyl 1973 US The US edition of the Red Album, instead, presents variations in nearly every songs : Capitol used their own mastertapes (quickly picking up what they found) and further reworked them, rebalancing channels in many tracks and reversing channels in others. In Capitol’s archives there were also significant lacks like the stereo versions of A Hard Days Night and Ticket To Ride, here issued in Mono Also of note is I Feel Fine released in Mono: the Mono US version still has an exaggerated reverb but, after all, significantly less than the US Stereo version, which (in 1973) was probably considered unpublishable. Other rarities are the US remix of We Can Work It Out [RS1] and the US version of Help! with the "James Bond" intro CD 1993 In this remastered edition, the 'Fake Stereo' remixes of Love Me Do and She Loves You were replaced by Mono versions The remix of She Loves You was also fixed. The impeccable Mono version was preferred in the case of Please Please Me. From Me To You is also in Mono (The ‘Harmonica intro’ version) Peculiarities of this release are the versions with the modified balance (narrowing) of Can't Buy Me Love and especially All My Loving which presents a marked ‘centered’ Stereo remix Another difference compared to the 'classic' UK 73 version concerns the different songs taken from Help! and Rubber Soul, here replaced by the 'Remix 87' versions (CD 1987) CD 2010 Apparently a copy of the previous one, instead, all the versions are the Remastered Stereo 2009 ones, except for Love Me Do, Please Please Me, From Me To You and She Love You in Mono, and the usual group of songs taken from Help! and Rubber Soul, also here replaced by the 'Remix 87' versions (CD 1987) All My Loving, Can't Buy Me Love return in 'Wide Stereo', having been used the 2009 Remasters Vynil 2014 Faithful reproduction of the 'classic' UK 73 version (with Day Tripper US Remix etc. etc) except for Love Me Do and She Loves You here in Mono. Please Please Me (correctly) returns to stereo

Comparison between UK ‘standard’ remixes and ‘1962 -1966’ UK/US original vinyl and CD/vinyl reissues STEREO indicates Standard UK Stereo remix MONO indicates Standard UK Mono remix 1973 UK vinyl 1973 US vinyl 1993 CD reissue 2010 CD reissue 2014 vinyl (AAA)

LOVE ME DO

UK FAKE STEREO

US FAKE STEREO

(Remaster 1993) (Remaster 2009) (Remaster 2009)

PLEASE PLEASE ME

(slightly ‘rebalanced) (Remaster 1993) (Remaster 2009)

FROM ME TO YOU

MONO (Harmonica Intro) (Remaster 1993) MONO (Harmonica Intro) (Remaster 2009)

SHE LOVES YOU

UK FAKE STEREO

US FAKE STEREO

(restored, Remaster1993) (Remaster 2009) (Remaster 2009)

I WANT TO HOLD YOUR HAND

US FAKE STEREO

(Remaster 1993) (Remaster 2009)

ALL MY LOVING

STEREO (‘centered’) (Remaster 1993) (Remaster 2009)

CAN'T BUY ME LOVE

STEREO (slightly narrowed) (Remaster 1993) (Remaster 2009)

A HARD DAY'S NIGHT

STEREO (vocals slightly ‘panned’) (Remaster 1993) (Remaster 2009)

AND I LOVE HER

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

EIGHT DAYS A WEEK

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

I FEEL FINE

(early copies with unedited intro) US MONO (RM4) (Heavy reverb) (Remaster 1993) (Remaster 2009)

TICKET TO RIDE

STEREO (Remix 1987) STEREO (Remix 1987) (slightly ‘rebalanced’) STEREO (Remix 1987) STEREO (Remix 1987) (with "James Bond" intro) STEREO (Remix 1987) STEREO (Remix 1987)

YOU'VE GOT TO HIDE YOUR LOVE AWAY

(slightly ‘rebalanced’) STEREO (Remix 1987) STEREO (Remix 1987) (slightly ‘narrowed’)

WE CAN WORK IT OUT

US STEREO (RS1) (Remaster 1993) (Remaster 2009)

DAY TRIPPER

US STEREO (RS1) US STEREO (RS1) (Remaster 1993) (Remaster 2009) US STEREO (RS1)

DRIVE MY CAR

STEREO (Remix 1987) (centered vocals) STEREO (Remix 1987) (centered vocals)

NORWEGIAN WOOD

STEREO (Remix 1987) STEREO (Remix 1987)

NOWHERE MAN

STEREO (Remix 1987) (centered and reverbed vocals) STEREO (Remix 1987) (centered and reverbed vocals) (slightly ‘narrowed’ and reversed) STEREO (Remix 1987) STEREO (Remix 1987)

IN MY LIFE

STEREO (Remix 1987) (reverbed vocals, slightly narrow) STEREO (Remix 1987) (reverbed vocals, slightly narrow) (slightly ‘rebalanced’) (slightly ‘rebalanced’ and reversed) STEREO (Remix 1987) STEREO (Remix 1987)

PAPERBACK WRITER

(Remaster 1993) (Remaster 2009)

ELEANOR RIGBY

(Remaster 1993) (Remaster 2009)

YELLOW SUBMARINE

(Remaster 1993) (Remaster 2009)

1973 BLUE ALBUM remixes variations

Vinyl 1973 UK All remixes are 'Standard', the only peculiarity is the (mandatory) fade-in at the beginning of A Day In The Life Vinyl 1973 US The American edition of the Blue Album shows the usual balance adjustments by Capitol in several songs, but also interesting remixes such as the (unique) US Stereo Remixes of Strawberry Fields Forever and I Am The Walrus. Hello Goodbye is inexplicably in Mono despite the publication (by Capitol itself) of the legitimate stereo version in MMT, six years earlier CD 1993 All remixes are 'Standard', the only peculiarity is the 'clean' beginning of A Day In The Life CD 2010 Also this formally copy of the previous one, instead, all the versions are the Remastered Stereo 2009 ones. Here too, A Day In The Life has a 'clean' beginning. Vinyl 2014 Faithful and candid reissue of the 'classic' UK 73 version, with fade-in at the beginning of A Day In The Life

Comparison between UK ‘standard’ remixes and ‘1967 -1970’ UK/US original vinyl and CD/vinyl reissues STEREO indicates Standard UK Stereo remix 1973 UK vinyl 1973 US vinyl 1993 CD reissue 2010 CD reissue 2014 vinyl (AAA)

STRAWBERRY FIELDS FOREVER

US STEREO (RS3) (slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

PENNY LANE

US FAKE STEREO

(Remaster 1993) (Remaster 2009)

SGT. PEPPER'S LONELY HEARTS CLUB BAND

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

WITH A LITTLE HELP FROM MY FRIENDS

(Remaster 1993) (Remaster 2009)

LUCY IN THE SKY WITH DIAMONDS

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

A DAY IN THE LIFE

(Faded Intro) (Faded Intro slightly ‘rebalanced’) (‘Clean’ Intro) (‘Clean’ Intro) (Faded Intro)

ALL YOU NEED IS LOVE

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

I AM THE WALRUS

US STEREO

(EDIT RS6+RS7)) (Remaster 1993) (Remaster 2009)

HELLO GOODBYE

(Remaster 1993) (Remaster 2009)

THE FOOL ON THE HILL

(Remaster 1993) (Remaster 2009)

MAGICAL MYSTERY TOUR

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

LADY MADONNA

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

HEY JUDE

(Remaster 1993) (Remaster 2009) (slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

BACK IN THE U.S.S.R.

(Remaster 1993) (Remaster 2009)

WHILE MY GUITAR GENTLY WEEPS

(slightly ‘rebalanced’) (Remaster 1993) (Remaster 2009)

OB-LA-DI, OB-LA-DA

(Remaster 1993) (Remaster 2009) GET BACK (Single version) (Remaster 1993) (Remaster 2009)

DON'T LET ME DOWN

(Remaster 1993) (Remaster 2009)

THE BALLAD OF JOHN & YOKO

(Remaster 1993) (Remaster 2009)

OLD BROWN SHOE

(Remaster 1993) (Remaster 2009)

HERE COMES THE SUN

(Remaster 1993) (Remaster 2009)

COME TOGETHER

(Remaster 1993) (Remaster 2009) (Remaster 1993) (Remaster 2009)

OCTOPUS'S GARDEN

(Remaster 1993) (Remaster 2009)

LET IT BE

(Remaster 1993) (Remaster 2009)

ACROSS THE UNIVERSE

(Remaster 1993) (Remaster 2009)

THE LONG AND WINDING ROAD

(Remaster 1993) (Remaster 2009)

1976 US & UK ROCK’N’ROLL MUSIC remixes variations

Comparison between UK ‘standard’ remixes and US/UK Rock’n’Roll Music albums’ remixes 1976 1980

Vol. 1

Vol. 2

TWIST AND SHOUT

reversed rebalanced reversed rebalanced reversed rebalanced

I SAW HER STANDING THERE

YOU CAN'T DO THAT

I WANNA BE YOUR MAN

I CALL YOUR NAME

reversed rebalanced UK stereo UK stereo reversed rebalanced UK stereo reversed rebalanced UK stereo

LONG TALL SALLY

UK stereo UK stereo UK stereo UK stereo

ROCK 'N' ROLL MUSIC

SLOW DOWN

KANSAS CITY

MONEY (THAT'S WHAT I WANT)

BAD BOY

ROLL OVER BEETHOVEN

DIZZY MISS LIZZY

ANYTIME AT ALL

DRIVE MY CAR

EVERYBODY'S TRYING TO BE MY BABY

THE NIGHT BEFORE

I'M DOWN

BACK IN THE U.S.S.R.

HELTER SKELTER

GOT TO GET YOU INTO MY LIFE

HEY BULLDOG

GET BACK

Capitol involved George Martin who reworked the stereo mastertapes for every song, reversing channels and EQuing, in some case adjusting the balancement. In UK, EMI Records initially refused Martin's ‘reworked’ Capitol’s tapes and released the double album with the original UK mixes, however, the UK ‘splitted’ 1980 reissue and its american equivalent both contain Martin’s 1976 new ‘remixes’ US & UK Rock’n’Roll Music albums include I Call Your Name [RS1#2+RS3] and Long Tall Sally [RS1#2] first UK Stereo remixes and the first release on

album of I’m Down, which also had never been issued in Stereo before, except for a Japanese EP in 1965.

Barrett’s notes report that a new Stereo remix of I’m Down were created in 1976 expressly for Rock’n’Roll Music album, the remixes are pretty identical but for some unknown reason the (Japanese Ep) 1965 remix wasn’t used anymore

1977 US & UK LOVE SONGS remixes variations

Comparison between UK ‘standard’ remixes and US/UK Love Songs albums’ remixes

LOVE SONGS

LOVE SONGS

I'LL FOLLOW THE SUN

I NEED YOU

reversed rebalanced reversed ‘centered’

IN MY LIFE

reversed ‘centered’

WORDS OF LOVE

HERE, THERE AND EVERYWHERE

reversed rebalanced

AND I LOVE HER

IF I FELL

I'LL BE BACK

TELL ME WHAT YOU SEE

slightly narrow reversed slightly narrow

YES IT IS

(US) fake stereo reversed rebalanced (US) fake stereo reversed ‘centered’

IT'S ONLY LOVE

YOU'RE GOING TO LOSE THAT GIRL

EVERY LITTLE THING

FOR NO ONE

SHE'S LEAVING HOME

reversed slightly rebalanced

THE LONG AND WINDING ROAD

reversed narrow

THIS BOY

(US) fake stereo (US) fake stereo

NORWEGIAN WOOD

reversed ‘centered’

YOU'VE GOT TO HIDE YOUR LOVE AWAY

slightly narrow reversed slightly rebalanced

I WILL

reversed rebalanced

P.S. I LOVE YOU

US fake stereo UK fake stereo In several songs Capitol modified channel’s balancement. Yes It Is, This Boy and P.S. I Love You feature Fake Stereo remixes. The UK release used the Capitol’s mastertape (including the ‘adjusted balance remixes’) but (for unknown reasons) presents reversed channels and, on several tracks, further balance adjustement.

1978 UK RARITIES and PAST MASTERS remixes variations

In UK Rarities all songs are in Mono, except for Komm Gib Mir Deine Hand, Sie Liebt Dich, Bad Boy and Across The Universe which are in Stereo The US pressing of UK Rarities contains I Want to Hold Your Hand and She Loves You in place of Komm, Gib Mir Deine Hand and Sie Liebt Dich.

UK RARITIES

PAST MASTERS 1

PAST MASTERS

MONO MASTERS

LOVE ME DO

RMx (Ringo) RMx (Ringo) [Remaster 2009] RMx (Ringo) [Remaster 2009]

FROM ME TO YOU

[Remaster 2009] [Remaster 2009]

THANK YOU GIRL

[Remaster 2009] [Remaster 2009]

SHE LOVES YOU

[Remaster 2009] [Remaster 2009]

I'LL GET YOU

[Remaster 2009] [Remaster 2009]

I WANT TO HOLD YOUR HAND

[Remaster 2009] [Remaster 2009]

THIS BOY

[Remaster 2009] [Remaster 2009]

KOMM, GIB MIR DEINE HAND

(ultra-narrow stereo) [Remaster 2009] [Remaster 2009]

SIE LIEBT DICH

(ultra-narrow stereo) [Remaster 2009] [Remaster 2009]

LONG TALL SALLY

Remaster 2009] Remaster 2009]

I CALL YOUR NAME

Remaster 2009] Remaster 2009]

SLOW DOWN

[Remaster 2009] [Remaster 2009] [Remaster 2009] [Remaster 2009]

I FEEL FINE

[Remaster 2009] [Remaster 2009]

SHE'S A WOMAN

[Remaster 2009] [Remaster 2009]

BAD BOY

[Remaster 2009] [Remaster 2009]

YES IT IS

[Remaster 2009] [Remaster 2009]

I'M DOWN

RS1 (#2) [Remaster 2009] [Remaster 2009] UK Rarities Komm Gib Mir Deine Hand Stereo remix already appeared on Capitol’s Something New Sie Liebt Dich appears for the first time in Stereo Past Masters Vol. 1 From Me To You and Thank You Girl still appear in Mono. This Boy and Yes It Is Stereo remixes were released for the first time. She’s A Woman in Stereo appeared before only on The Beatles Box (LP2) (1980) and, with an untrimmed intro, on the ‘Rarities’ EP (1981) Past Masters (Remastered 2009) From Me To You and Thank You Girl are in Stereo. This was the first EMI/UK/International release of Thank You Girl Stereo version (with extra armonica)

UK Rarities Features the ‘Wildlife’ Stereo remix [RS2] of Across The Universe, until then released only on the “No One’s Gonna Change Our World” LP (1969) Past Masters Vol. 2 The Inner Light in Stereo appeared before only on the ‘Rarities’ EP (1981) Mono Masters The (Mono) original remixes of the songs from the cancelled Yellow Submarine EP were released for the first time. Old Brown Shoe, The Ballad of John and Yoko and Let It Be have been left out from Mono Masters as they never had a Mono remix

UK RARITIES

PAST MASTERS 2

PAST MASTERS

MONO MASTERS

DAY TRIPPER

[Remaster 2009] [Remaster 2009]

WE CAN WORK IT OUT

[Remaster 2009] [Remaster 2009]

PAPERBACK WRITER

[Remaster 2009] [Remaster 2009] [Remaster 2009] [Remaster 2009]

LADY MADONNA

[Remaster 2009] [Remaster 2009]

THE INNER LIGHT

[Remaster 2009] [Remaster 2009]

HEY JUDE

[Remaster 2009] [Remaster 2009] [Remaster 2009] [Remaster 2009]

ONLY A NORTHERN SONG

ALL TOGETHER NOW

HEY BULLDOG

IT'S ALL TOO MUCH

GET BACK

[Remaster 2009] [Remaster 2009]

DON'T LET ME DOWN

[Remaster 2009] [Remaster 2009]

THE BALLAD OF JOHN AND YOKO

[Remaster 2009]

OLD BROWN SHOE

[Remaster 2009]

ACROSS THE UNIVERSE

[Remaster 2009]

LET IT BE

[Remaster 2009]

YOU KNOW MY NAME

EDIT RM4 EDIT RM4 EDIT RM4 [Remaster 2009] EDIT RM4 [Remaster 2009]

1980

US RARITIES remixes variations

This album is a compilation of songs or versions that were considered rare in the US, such as B-sides, tracks that hadn't been on any Capitol album, different mixes and also new ‘creations’ as for the remixes/EDIT of I Am The Walrus and Penny Lane Side 1

LOVE ME DO

UK standard

THERE'S A PLACE

UK standard

SIE LIEBT DICH

UK standard

AND I LOVE HER

GERMAN SOMETHING NEW

(six guitar riffs finale) UK standard (different vocals)

I'M ONLY SLEEPING

UK standard (different backward guitars)

I AM THE WALRUS

New EDIT

Side 2

PENNY LANE

New EDIT Trumpet coda

HELTER SKELTER

UK standard

DON'T PASS ME BY

UK standard (risen pitch)

THE INNER LIGHT

UK standard

ACROSS THE UNIVERSE

UK standard #1

YOU KNOW MY NAME

UK standard

SGT. PEPPER INNER GROOVE

UK standard > The “Inner Groove” was not included on the American version of Sgt. Pepper’s Lonely Hearts Club Band

1980 THE BEATLES BALLADS remixes variations

Comparison between UK ‘standard’ remixes and The Beatles Ballads album’s remixes

NORWEGIAN WOOD

US LOVE SONGS

DO YOU WANT TO KNOW A SECRET

FOR NO ONE

NOWHERE MAN

US RED ALBUM 1973

YOU'VE GOT TO HIDE YOUR LOVE AWAY

narrow stereo

ACROSS THE UNIVERSE

standard #1 (UK & US Rarities version)

ALL MY LOVING

US RED ALBUM 1973

HEY JUDE

THE FOOL ON THE HILL

TILL THERE WAS YOU

THE LONG AND WINDING ROAD

HERE COMES THE SUN

slightly rebalanced

AND I LOVE HER

SHE'S LEAVING HOME

HERE, THERE AND EVERYWHERE

UK LOVE SONGS

LET IT BE

‘standard’ indicates Standard UK Stereo remix Half of the tracks in The Beatles Ballads are standard Stereo remixes, but there are also rare ‘’remixes’’ (from the US Red Album 1973 and both Love Songs albums) and several further unique ‘pseudo- remixes’ created ‘reworking’ the stereo

Rare ‘’remixes’’

Unique ‘’remixes’’

1980 THE BEATLES BOX remixes variations

The Beatles Box is an 8 LP compilation of Beatles recordings, issued in 1980 by World Records, a mail-order subsidiary of EMI. It was also issued by Reader's Digest in New Zealand, Australia and Mexico . This compilation, here and there, and besides standard remixes (which are the majority), contains also some rare or uncommon versions and the very first Stereo remix of She’s A Woman LP 1 Love Me Do (Mono Single with Ringo) P.S. I Love You I Saw Her Standing There Please Please Me Do You Want To Know A Secret A Taste Of Honey Twist And Shout From Me To You Thank You Girl (Mono Single and UK Rarities) She Loves You It Won't Be Long Please Mister Postman All My Loving (hi hat intro, from German With The Beatles) Roll Over Beethoven Money (That's What I Want) LP 2 I Want To Hold Your Hand This Boy (Mono) Can't Buy Me Love You Can't Do That A Hard Days Night I Should Have Known Better If I Fell And I Love Her (six guitar riffs finale, from German Something New) Things We Said Today I'll Be Back Long, Tall Sally (reversed stereo, from US Rock & Roll Music) I Call Your Name (reversed and rebalanced stereo, from US Rock & Roll Music) Matchbox (reversed stereo, from US Rock & Roll Music) Slow Down (reversed stereo, from US Rock & Roll Music) She's A Woman (first ever released Stereo remix [RS1]) I Feel Fine (unedited ‘whispering’ intro, from UK Red Album) LP 3 Eight Days A Week No Reply I'm A Loser I'll Follow The Sun Mr. Moonlight Every Little Thing I Don't Want To Spoil The Party Kansas City / Hey, Hey, Hey, Hey Ticket To Ride I'm Down (stereo, from UK Rock & Roll Music) Help! (Mono Single with mono remix[RM4#2)) (intro with different vocals) The Night Before You've Got To Hide Your Love Away I Need You Another Girl You're Gonna Lose That Girl LP 4 Act Naturally Tell Me What You See It's Only Love You Like Me Too Much I've Just Seen A Face Day Tripper (US stereo remix [RS1] , from Yesterday And Today) We Can Work It Out Drive My Car Norwegian Wood You Won't See Me Nowhere Man I'm Looking Through You In My Life

LP 5 Paperback Writer (reversed stereo, from Hey Jude) Here, There And Everywhere I'm Only Sleeping (US stereo remix [RS1] , from Yesterday And Today V2) Good Day Sunshine Yellow Submarine Eleanor Rigby And Your Bird Can Sing For No One Doctor Robert Got To Get You Into My Life Penny Lane (EDIT trumpet coda, from US Rarities) Strawberry Fields Forever (Stereo UK remix, from German Magical Mystery Tour) LP 6 Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends Lucy In The Sky With Diamonds Fixing A Hole She's Leaving Home Being For The Benefit Of Mr. Kite A Day In The Life (faded intro) When I'm Sixty-Four Lovely Rita All You Need Is Love (Mono remix [RM4], from the Single) Baby You're A Rich Man (Stereo remix, from German Magical Mystery Tour) Magical Mystery Tour Your Mother Should Know The Fool On The Hill I Am The Walrus (EDIT with ‘extra’ bar, from US Rarities) LP 7 Hello Goodbye Lady Madonna Hey Jude Back In The U.S.S.R. Ob-La-Di, Ob-La-Da While My Guitar Gently Weeps The Continuing Story Of Bungalow Bill (cut intro) Happiness Is A Warm Gun Martha My Dear I'm So Tired Don't Pass Me By All Together Now LP 8 Get Back (Album version) Don't Let Me Down The Ballad Of John And Yoko Across The Universe (Album version) For The Blue Two Of Us The Long And Winding Road Let It Be (Album version) Come Together Maxwell's Silver Hammer Octopus's Garden Here Comes The Sun Golden Slumbers Carry That Weight / The End / Her Majesty

1982 REEL MUSIC remixes variations

Comparison between UK ‘standard’ remixes and US/UK Reel Music albums’ remixes

REEL MUSIC

REEL MUSIC

A HARD DAY'S NIGHT

I SHOULD HAVE KNOWN BETTER

(fixed harmonica intro)

CAN'T BUY ME LOVE

AND I LOVE HER

YOU'VE GOT TO HIDE YOUR LOVE AWAY

TICKET TO RIDE

MAGICAL MYSTERY TOUR

I AM THE WALRUS

(UK) stereo (UK) stereo

YELLOW SUBMARINE

ALL YOU NEED IS LOVE

LET IT BE

(Album version)

(Album version)

GET BACK

(Album version)

(Album version)

THE LONG AND WINDING ROAD

‘standard’ indicates Standard UK Stereo remix UK album contains all standard (UK) Stereo remixes The US album features a unique version of I Should Have Known Better with the fixed armonica intro This release features also the first US release of the UK EP Stereo remix of I Am The Walrus, which is also the ‘standard’ version that currently circulates (on MMT CD 1987 & 2009 and Blue Album CD 1993 & 2010)  Circulating US Reel Music DESS 2001 features a phony Ticket To Ride, with the 1987 remix

1982 UK & US 20 GREATEST HITS remixes variations

Comparison between UK ‘standard’ remixes and UK/US 20 Greatest Hits albums’ remixes ‘standard’ indicates Standard UK Stereo remix